The Project Gutenberg EBook of Phrenological Development of Robert Burns, by 
George Combe

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Phrenological Development of Robert Burns
       From a Cast of His Skull Moulded at Dumfries, the 31st Day of March 1834

Author: George Combe

Release Date: November 17, 2009 [EBook #30489]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK PHRENOLOGICAL DEV. OF ROBERT BURNS ***




Produced by Bryan Ness, Stephanie Eason, and the Online
Distributed Proofreading Team at http://www.pgdp.net. (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

Text of Cover

[Pg 1]

Text of Title Page

[Pg 2]

VIEWS OF THE SKULL OF ROBERT BURNS.

[Pg 2]

KEY TO THE PHRENOLOGICAL ORGANS.

Larger Image

[Pg 4]

OBSERVATIONS ON THE SKULL OF BURNS,

BY

GEORGE COMBE.

Robert Burns was born on 25th January 1759, and died at Dumfries on 21st July 1796, in the 37th year of his age, and, on the 26th, was interred in St Michael's Churchyard. Eighteen years afterwards, a Mausoleum was erected by subscription to his memory in that cemetery; and, on the 19th September 1815, his remains were privately exhumed and transferred to the vault attached to it. Mrs Burns, the Poet's widow, having died on 26th March 1834, the vault was opened for the purpose of depositing her remains beside those of her husband; and the gentlemen who took charge of the proceedings, being aware of the anxiety which had long been generally felt to obtain a Cast of the Poet's Skull, resolved to avail themselves of the opportunity to gratify this desire. The consent of the relatives having been obtained, Mr M'Diarmid, the Editor of the Dumfries Courier, went with several other gentlemen to the vault, and successfully effected their purpose.

The following description is written by Mr Archibald Blacklock, Surgeon: "The cranial bones were perfect in every respect, if we except a little erosion of their external table, and firmly held together by their sutures; even the delicate bones of the orbits, with the trifling exception of the os unguis in the left, were sound and uninjured by death and the grave. The superior maxillary bones still retained the four most posterior teeth on each side, including the dentes sapientiæ, and all without spot or blemish; the incisores, cuspidati, &c., had, in all probability, recently dropped from the jaw, for the alveoli were but little decayed. The bones of the face and palate were also sound. Some small portions of black hair, with a very few grey hairs intermixed, were observed while detaching some extraneous matter from the occiput. Indeed, nothing could exceed the high state of preservation in which we found the bones of the cranium, or offer a fairer opportunity of supplying what has so long been desiderated by Phrenologists—a correct model of our immortal Poet's head; and in order to accomplish this in the most accurate and satisfactory manner, every particle of sand or other foreign body was carefully washed off, and[Pg 5] the plaster-of-Paris applied with all the tact and accuracy of an experienced artist. The Cast is admirably taken, and cannot fail to prove highly interesting to Phrenologists and others.

"Having completed our intention, the Skull, securely enclosed in a leaden case, was again committed to the earth precisely where we found it.

"Archd. Blacklock."

Dumfries, 1st April 1834.

CEREBRAL DEVELOPMENT OF BURNS.

I.—DIMENSIONS OF THE SKULL.

II.--DEVELOPMENT OF THE ORGANS.

The scale of the organs indicates their relative proportions to each other;
2 is Idiotcy—10 Moderate—14 Full—18 Large—and 20 very Large.

The cast of a Skull does not show the temperament of the individual, but the portraits of Burns indicate the bilious and nervous temperaments—the sources of strength, activity, and susceptibility; and the descriptions given by his contemporaries of his beaming and energetic eye, and the rapidity and impetuosity of his manifestations, establish the inference that his brain was active and susceptible.

[Pg 6]Size in the brain, other conditions being equal, is the measure of mental power. The Skull of Burns indicates a large brain. The length is 8, and the greatest breadth nearly 6 inches. The circumference is 22¼ inches. These measurements exceed the average of Scotch living heads, including the integuments, for which four-eighths of an inch may be allowed.

The brain of Burns, therefore, possessed the two elements of power and activity.

The portions of the brain which manifest the animal propensities are uncommonly large, indicating strong passions, and great energy in action under their influence. The group of organs manifesting the domestic affections (Amativeness, Philoprogenitiveness, and Adhesiveness), is large; Philoprogenitiveness uncommonly so for a male head.

The organs of Combativeness and Destructiveness are large, bespeaking great heat of temper, impatience, and liability to irritation.

Secretiveness and Cautiousness are both large, and would confer considerable power of restraint, where he felt restraint to be necessary.

Acquisitiveness, Self-Esteem, and Love of Approbation, are also in ample endowment, although the first is less than the other two; these feelings give the love of property, a high consideration of self, and desire of the esteem of others. The first quality will not be so readily conceded to Burns as the second and third, which, indeed, were much stronger; but the Phrenologist records what is presented by nature, in full confidence that the manifestations, when the character is correctly understood, will be found to correspond with the development, and he states that the brain indicates considerable love of property.

The organs of the moral sentiments are also largely developed. Ideality, Wonder, Imitation, and Benevolence, are the largest in size. Veneration also is large. Conscientiousness, Firmness, and Hope, are full.

The Knowing organs, or those of perceptive intellect, are large; and the organs of Reflection are also considerable, but less than the former. Causality is larger than Comparison, and Wit is less than either.

The Skull indicates the combination of strong animal passions, with equally powerful moral emotions. If the natural morality had been less, the endowment of the propensities is sufficient to have constituted a character of the most desperate description. The combination, as it exists, bespeaks a mind extremely subject to contending emotions—capable of great good or great evil—and encompassed with vast difficulties in preserving a steady, even, onward course of practical morality.

In the combination of very large Philoprogenitiveness and Adhesiveness, with very large Benevolence and large Ideality, we find the elements of that exquisite tenderness and refinement, which Burns so frequently manifested, even when at the worst stage of his career. In the combination of great Combativeness, Destructiveness, and Self-Esteem, we find the fundamental qualities which inspired "Scots wha hae wi' Wallace bled," and similar productions.

The combination of large Secretiveness, Imitation, and the Perceptive[Pg 7] organs, gives the elements of his dramatic talent and humour. The Skull indicates a decided talent for Humour, but less for Wit. The public are apt to confound the talents for Wit and Humour. The metaphysicians, however, have distinguished them, and in the phrenological Works their different elements are pointed out. Burns possessed the talent for satire: Destructiveness, added to the combination which gives Humour, produces it.

An unskilful observer looking at the forehead might suppose it to be moderate in size; but when the dimensions of the anterior lobe, in both length and breadth, are attended to, the Intellectual organs will be recognised to have been large. The anterior lobe projects so much that it gives an appearance of narrowness to the forehead which is not real. This is the cause, also, why Benevolence appears to lie farther back than usual. An anterior lobe of this magnitude indicates great Intellectual power. The combination of large Perceptive and Reflecting organs (Causality predominant), with large Concentrativeness and large organs of the feelings, gives that sagacity and vigorous common sense for which Burns was distinguished.

The Skull rises high above Causality, and spreads wide in the region of Ideality; the strength of his moral feelings lay in that region.

The combination of large organs of the Animal Propensities, with large Cautiousness, and only full Hope, together with the unfavourable circumstances in which he was placed, accounts for the melancholy and internal unhappiness with which Burns was so frequently afflicted. This melancholy was rendered still deeper by bad health.

The combination of Acquisitiveness, Cautiousness, Love of Approbation, and Conscientiousness, is the source of his keen feelings in regard to pecuniary independence. The great power of his Animal Propensities would give him strong temptations to waste; but the combination just mentioned would impose a powerful restraint. The head indicates the elements of an economical character; and it is known that he died free from debt, notwithstanding the smallness of his salary.

No Phrenologist can look upon this head, and consider the circumstances in which Burns was placed, without vivid feelings of regret. Burns must have walked the earth with a consciousness of great superiority over his associates in the station in which he was placed—of powers calculated for a far higher sphere than that which he was able to reach—and of passions which he could with difficulty restrain, and which it was fatal to indulge. If he had been placed from infancy in the higher ranks of life, liberally educated, and employed in pursuits corresponding to his powers, the inferior portion of his nature would have lost part of its energy, while his better qualities would have assumed a decided and permanent superiority.

The Drawings of the Skull are ably executed by George Harvey, Esq., S.A.

Cover Text

Phrenological
DEVELOPMENT
of
Robert Burns

BY
George Combe.

Engraved & Published by W. & A.K. Johnston, Edinburgh. April 1834.
REPRINTED JANUARY 1859.

Title Page Text

Phrenological
DEVELOPMENT OF
Robert Burns,
from a Cast of his skull
Moulded at Dumfries.
THE 31^ST DAY OF MARCH 1834.

With Remarks by
George Combe,
AUTHOR OF "A SYSTEM OF PHRENOLOGY,"—"THE CONSTITUTION OF MAN" &c.

MAUSOLEUM,
Erected at Dumfries, to the Memory of
Rob^t Burns

Engraved & Published by W. & A.K. Johnston, Edinburgh 30 April 1834.

Reprinted January 1859.

End of the Project Gutenberg EBook of Phrenological Development of Robert
Burns, by George Combe

*** END OF THIS PROJECT GUTENBERG EBOOK PHRENOLOGICAL DEV. OF ROBERT BURNS ***

***** This file should be named 30489-h.htm or 30489-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/0/4/8/30489/

Produced by Bryan Ness, Stephanie Eason, and the Online
Distributed Proofreading Team at http://www.pgdp.net. (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.